The Adventure of Waiting–MCA Denver until August 22, 2021

Waiting. Waiting again. Now at Safelight Autoglass.

Safelight_autoglassThis wait was totally unexpected. The timing was freakish. An ice block from the overpass hit our windshield as we were driving under it. It delayed our trip by a whole day. Dreadful.

Aren’t all waits dreaded? The wait in the doctor’s practice, the turn of the red light, the hand of the clock to reach twelve? Waiting for summer, for your turn, waiting for what and why?

During this time of Covid, we had a lot of waiting to do. And we still haven’t learned anything. We still don’t like it and we are not good at it. Waiting takes practice. It’s a skill, It’s an art. Good waiting makes creative and happy.

Many of us (used to instant gratification at a click) couldn’t wait any longer but then we learned it again during the Covid year. Waiting to go back to school. Waiting for take out orders. Waiting in the carvalcade to get your specimen taken and then waiting for the results to come back. Wait, wait, wait a minute or an hour or a week.

The wait at the post office (even pre-Covid) was usually the deadliest for me. I always thought each PO visit would shorten my life by a day or two. So I avoided the PO. HOWEVER, I was so WRONG: actually the PO extended my life. It tricked me into appreciating my time more. The PO gave me slack time that I wasn’t aware I had in my rushed daily routines.

“Waiting for God” was a British sitcom about feisty older folks in an assisted living home. They didn’t jus want to wait around. They wanted to be players in their home court. Nobody wants to wait. Waiting seems a waste.

Waiting is good. Why? We discover our own inner world of fantasy and creativity.

Ask Jaime Carrejo. This Denver artist just now has an installation at the Museum of Contemporary Art called “Waiting.” He made up a colorfully decorated waiting room where the walls seem to come alive in floral patterns and the hanging plants randomly raise or lower themselves. I know all about the ins and outs of this exhibit because my daughter Priyanka Makin (proud mom shout out) designed and built the motorized mechanism for ten of these trailing plants. These spider plants are making a name for themselves by hanging on a thread.

The description for “Waiting” says that “Jaime Carrejo explores the relationship between confinement + duration (=waiting) by layering Southwestern symbolism, mid-century design, and objects from his domestic space.” Wherever this comes from, it is just fun to watch and live inside for a while. More often than not, the pictures on the wall of my doctor’s office have come alive too.

Here is what we learn in this exhibit: Waiting doesn’t kill time. It makes the relationship between space and duration more colorful and essential. Waiting entertains us too. We never know what might happen next. So waiting becomes the real adventure.

Jaime Carrero, WAITING, February 26-August 22, 2021

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ASCHOLDING: Industrielle Bauphasen eines idyllischen Dorfes

My idyllic hometown, Ascholding, received a hodge podge of oversized industrial buildings over night. Some structures are large enough to park the whole church inside. Was this necessary? Where will this insanity end?

Im Jahr 2018 hat das idyllische Bachzeilendorf Ascholding ein Gewerbegebiet erhalten. Hier (anklicken) ein Überflug mit den Dohlen vom Kirchturm: Zuerst das wunderbare Alpenpanorama, dann das industrielle Schachtelwerk.

Da haben wir den Salat–ein “Gewerbegebiet.” Die zwei größten “Flugzeughallen”, überdimensionale Fremdkörper, verhindern nach allen Richtungen den Ausblick. Solche Mammutbauten gehören nicht einmal an den Rand des idyllischen Bachzeilendorfes. Bieten die neuen Firmen den Ortsansässigen viele gute Arbeitsplätze an? Die landwirtschaftlichen Felder sind für immer zerstört, die Sozialstruktur verstädtert.

So war es früher einmal: auf dem Feld links unten steht jetzt das Gewerbegebiet.

PHASE II: Geht es jetzt so weiter? Mehr als 80 Parkplätze für den Edeka Markt (insgesamt ca. 120 Stellflächen mit Kindergarten eingerechnet) sollen noch kommen. Aber brauchen doch mehr Grünflächen und weniger Abgase, um das Global Warming zu reduzieren? ABER: Die nächste Bauphase (II).

Wie viele Parkplätze braucht ein Lebensmittelladen in einem 1000-Seelen-Dorf?

So viele wie der Holzwirt (40 geteerte, 30 auf Kies)? Oder so viele wie der Netto in Egling? Genau 68, aber Egling ist größer. Oder so viele wie das Kaufland in Geretsried (120, wenn ich mich nicht verzählt habe)? Welcher Parkplatz ist jetzt da am schönsten?

PHASE Baustelle mit Keltengrabung–2019, siehe Schotterfeld

PHASE EDEKA und Kindergarten–2020–Siehe Mega-Markt

Und so weiter . . .?

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Spring Time in Arizona–Wildflowers

It’s the best of time in Arizona! Temperatures are languid and mild, bunnies and squirrels frolic on the lush greens of a recent rain, and the colors pop out of the fragrant earth: wildflowers–it’s spring time. I took pictures on my recent hike to Wind Cave. Which of these flowers do you know?

(Ssh! There is a cheat sheet here at Southwest Desert Flora BUT: test your memory before you peek)


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Plastic Bottle Manifesto



  • All grocery stores must recycle their store-brand plastic water bottles.

OR ELSE: We won’t buy them, drink tap water, refill our own.

  • All grocery stores must collaborate with beverage manufacturers to create a deposit/recycle system for any which plastic bottles.

OR ELSE: We only buy drinks in glass bottles or cans.

  • All beverage vendors must institute refillable(plastic) bottles/jugs.

OR ELSE: We only buy glass, cans, or cartons, especially milk.

  • Door Dash Company must establish a beverage delivery service that also returns our empties.


  • All detergent companies must stop liquid detergents, as the plastic canisters generate unnecessary plastic waste.

OR ELSE: BOYCOTT liquid detergents!!!

  • All soap/shampoo/body wash and other hygiene articles producers must provide “infusion bag” style dispensers with reusable nozzle to reduce plastic waste.

OR ELSE: We only use bar soap and make our own beauty supplies.

  • All condiments such as mayo, mustard, ketchup, salad dressings, etc. must be available in glass bottles or squeeze tubes or infusion bags.

OR ELSE: We mix those up ourselves.

  • All plastic container/bag/bottle manufacturers must find next-to-zero waste packaging solutions, materials that can be disposed of with minimum damage to the environment.

OR ELSE: See all the above.

  • All food/beverage/restaurant franchises must use paper straws, paper cups, paper containers or other biodegradable packaging/serving ware.

OR ELSE: We don’t buy and cook our own dinner for a change.

  • All organizations/schools/communities putting on events must prohibit plastic bottles, plastic dinnerware, and plastic cups. Use water cooler, paper cups, wood utensils, porcelain, or edible containers.

OR ELSE: Organizer(s) must personally separate out the plastic refuse and either reuse or take the plastic to the recycling station.

  • All consumers (WE) must responsibly and conscientiously participate in plastic recycling, which means taking OUR empties back to the store or recycling station. (REMEMBER THE ALAMO . . . , I mean, PLASTIC BAGS?)

OR ELSE: We don’t deserve what was in the plastic bottle in the first place.

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Concrete over Celtic Site

A Celtic village was unearthed in Ascholding (near Munich) as a result of a construction project. The remains/artifacts were dated ca. 300 BC. Soon the site will be buried under concrete and asphalt for a new Edeka grocery supermarket.

This is just a small example of what they call “Flächenfraß” (=urban sprawl; literally, gobbling up green lands) in Germany. The “development” (add an industrial complex of 12 buildings, a super-hypermarket, a fire station, a kindergarten, plus at least 6 private home constructions) happened within only 3 years. Insanity! This village of 1000 people has doubled its weight and jumped into the Munich Metroplex over night.

Here is what the archaeologists found:

2300-Jahre-alte Scherben

All that is left of the old days?

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