EINLADUNG: Gemeinderatssitzung am 25. September 2018 in Dietramszell zum Thema Ascholdinger Bauprojekte.
My idyllic hometown, Ascholding, received a hodge podge of oversized industrial buildings over night. Some structures are large enough to park the whole church inside. Was this necessary? Where will this insanity end?
Im Jahr 2018 hat das idyllische Bachzeilendorf Ascholding ein Gewerbegebiet erhalten. Hier (anklicken) ein Überflug mit den Dohlen vom Kirchturm: Zuerst das wunderbare Alpenpanorama, dann das industrielle Schachtelwerk.
Da haben wir den Salat. Die zwei größten “Flugzeughallen”, überdimensionale Fremdkörper, verhindern nach allen Richtungen den Ausblick. Diese Mammutbauten gehören auswärtigen Großunternehmern, die ihre Gewinne wieder in Immobilien investieren mussten, damit die Steuerbehörde nichts davon kriegt. Dann darf die Gemeinde wohl die nächsten 10 Jahre auf ihr Geld warten, bis diese Abschreibungen vorbei sind. Hoffen wir darauf, dass die neuen Firmen den Ortsansässigen viele gute Arbeitsplätze anbieten? Die landwirtschaftlichen Felder sind für immer zerstört, die Sozialstruktur verstädtert.
So war es früher einmal: auf dem Feld links unten steht jetzt das Gewerbegebiet.
PHASE II: Geht es jetzt so weiter? Mehr als 80 Parkplätze für den Edeka Markt (insgesamt ca. 120 Stellflächen mit Kindergarten eingerechnet) sollen noch kommen. Aber brauchen doch mehr Grünflächen und weniger Abgase, um das Global Warming zu reduzieren? ABER: Die nächste Bauphase (II).
Wie viele Parkplätze braucht ein Lebensmittelladen in einem 1000-Seelen-Dorf?
So viele wie der Holzwirt (40 geteerte, 30 auf Kies)?
So viele wie der Netto in Egling? Genau 68, aber Egling ist größer.
Oder braucht man so viele wie das Kaufland in Geretsried (120, wenn ich mich nicht verzählt habe)? Welcher Parkplatz ist jetzt da am schönsten?
We did it again. We do Kaltenberg on every German trip. Look, here is the Grand Entry. The Kaltenberg Medieval Jousting Show and Marketplace is hosted at Kaltenberg Castle, the residence of the Duke of Bavaria.
42nd National Old-Time Music Festival and Pioneer Expo
August 28 – September 3, 2017
Plymouth County Fairgrounds—LeMars, IA 51520
Funny, how a small Bavarian village (where I spent most of the summer) can harbor all kinds of memories. But country music? When the Ascholding riding club let out a few country western tunes, it sent me down memory lane. Those tunes sounded much like the skiffle group that I taped two years ago at Bob Everhart’s Festival at Le Mars, Iowa (above), or back then at guesthouse Lacherdinger.
Country music was nothing new in Ascholding. More than 30 years ago, old-time country music ambassador Bob Everhart came to perform in my quaint German hometown. Maybe those stones got rolling there?
During his European trips, Bob and I and another few put several country music acts on stage in Germany. I will never forget when the Black Bottom Skiffle group heated up the fully stuffed “Saal” and eventually made off with all the door money, or when Jeff Doty ran up the phone bill mile high at my friend’s house. Kathl, by now almost 90 years old, still remembers the story. Jeff had the love-sick blues. Duh, that explains the phone bill. Luckily, there were more stints to come in Wolfratshausen and Munich.
Bob Everhart has been promoting traditional country music all his life. He has recorded classics for a select album for the Smithsonian Institute (Folkways Records), runs the Old Time Country Music Hall of Fame, “live-streams” the traditional tunes (Wabash Cannon Ball etc.) at countless appearances and hosts every Labor Day the Old Time Country Music Festival in Le Mars, Iowa.
Bob Everhart is a country boy to the bone, as he reveals in his autobiography, “What I Saw”. Bob came from a day laborer family, which was terrorized by an alcoholic, violent dad and held together by a saintly mom. The singer had his first “radio appearances” in the Navy as a radioman. Maybe he also caught the travel bug there because the Navy took them as far as Japan.
Soon after his college studies, music fever led Bob Everhart into the hard-knock music business. Big record labels called the shots, and good bands got their songs stolen. In his early beginnings in the hard-hitting music industry, newspaper reporter Bob met the Rolling Stones when they toured America early in their career before the Battle of the Bands in Omaha, Nebraska.
I visited Bob’s Traditional Country Music Festival in 2015 and was amazed that his flagship event was still going. My friend Maria (also from Ascholding) faithfully played the zither there at several workshops as 30 years before. Bob apparently had not changed much; but he was close to 80 years old now (did I miscount?). How did he keep up this energy? Music keeps him young.
Eventually, I stopped at the festival information booth. Boy, some of these photos seemed familiar. When I was a student at the University of Texas, I attended Bob’s Old-Time Country Music Festival several times. And took pictures. Yep, some of my snapshots stuck out of the photo display. Bob had kept them all these years! Even Bob’s Folkways album cover seemed awesomely familiar. I remembered that performance in the 80ies. I came to Iowa from the University of Texas. Could I have taken the picture for the album cover and didn’t know it?
Bob Everhart has a fabulously strong voice, Nashville-good. But he didn’t want to go that route, selling out to the music industry. He decided instead to serve the Midwestern people’s old-time music and friendships. It’s no easy feat to pull off such a large festival each year. Seems the audience has gotten a little older. But many young musicians join the lineup just as well as the old faithful make the pilgrimage to present faithful crowd pleasers.
If you like traditional people’s music and want to spend a couple of casual days with friendly people, the Traditional Old-Time Country Music Festival is just the right place for you.
Arnold Annen ist ein Keramik-Poet. Hier (oben) eines seiner Designs, das er der Natur (Mikroben) abgeschaut hat. Wir haben ihn und seine Partnerin Violette Fassbaender–unsere Freunde–kürzlich besucht. Beide Künstler sind einzigartige Keramik-Pioniere, Arnold mit seinen zerbrechlichen Schalen, Violette mit ihren marmorierten “Steinen”.
Our friend Arnold Annen from Basel, Switzerland, creates poetry in porcelain. His large bowls and luminescent sculptures are paper thin. His partner Violette Fassbaender, herself an accomplished ceramicist, helps Arnold push the edge of a fragile art.
We recently stayed at Arnold and Violette’s house amidst scores of highly exclusive, one-of-a-kind artifacts. All pieces of their collections were mindfully arranged to evoke a symphony of inspiration.
In 2014 Arnold, who has gained much recognition in Europe and Japan, won a prestigious award at an international ceramics show in Chicago, Best of Show at SOFA.
Who would have guessed this world fame when Arnold was born in the small town of Gsteig (Gstaad, Switzerland) in a small farm village. Arnolds relentless passion for the ceramics process drove him to perfection. Among of our most priced household possessions is a pair of paper thin porcelain cups that Arnold gifted us.
Violette’s concept in ceramics is drastically different. She creates organic patterns from different colors of clay at different stages of moisture to build them into objects resembling rocks from nature. Organic patterns as in nature.
The detail in Violette’s hollow “rocks” tells stories of ancient magma–or an observant walk through the Swiss Alps. Eye-catching blocks of “Urgestein” shape-shift in the sheen of daylight versus dusk. She also has perfected her technique since she began her organic quest in Japan. Her deceptively casual patterns require a high level of skill, simplicity, and abstraction. The soul search. Or the simple admission that there are no accidents in life.
We spent some wonderful hours with these two remarkable artists who we are glad to call friends. Their hospitality is heart-warming as well. We enjoyed some very tasty, home-cooked meals at their house. Memories.
There is much more to know about Arnold and Violette’s art. Further reading: